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'''[[FR Heritage Group]]''' Chairman, '''[[Michael Seymour]]''', wanted to see a replica of "The Boat", a whimsical gravity inspection vehicle used by the Spooner family in the 19th century. The original came to a sticky end when its owner disobeyed the rules for train staff working and crashed into the single Fairlie, '''[[Taliesin]]''', at the north end of the old Moelwyn tunnel in 1889. When Michael died, a few years ago, he left money to the '''[[FR Heritage Group]]''' to be used to build a replica.
[[FR Heritage Group]] Chairman, [[Michael Seymour]], wanted to see a replica of "The Boat", a whimsical gravity inspection vehicle used by the Spooner family in the 19th century. The original came to a sticky end when its owner disobeyed the rules for train staff working and crashed into the single Fairlie, [[Taliesin]], at the north end of the old Moelwyn tunnel in 1889. When Michael died, a few years ago, he left money to the [[FR Heritage Group]] to be used to build a replica.


The late David Newham spent many hours researching the details of the project; there were no drawings or photographs to work from, only an engraving and some rather vague, contemporary, descriptions including one from '''[[Captain Henry Tyler]]''' in his report of his inspection of the line for passenger traffic.
The late David Newham spent many hours researching the details of the project; there were no drawings or photographs to work from, only an engraving and some rather vague, contemporary, descriptions including one from [[Captain Henry Tyler]] in his report of his inspection of the line for passenger traffic.


upload:boat.png
David's friend Stuart Baker, who had also worked on the HLF project to restore '''[[Carriages 15 and 16]]''', the '''[[Van 1 | Curly Roof Van]]''' and '''[[Carriage 9 | Ashbury]]''' projects produced a drawing and from this a project plan was developed.

The original vehicle.

David's friend Stuart Baker, who had also worked on the HLF project to restore [[Carriages 15 and 16]], the [[Van 1 | Curly Roof Van]] and [[Carriage 9 | Ashbury]] projects produced a drawing and from this a project plan was developed.

Unable to organise a volunteer team to undertake the task [[FR Heritage Group]] secretary [[Adrian Gray]], who is also one of the trustees of Michael's estate, let a contract for construction of the body and mast to Bill Piper, a boatbuilder working in Porthmadog who had done some casual work with Norman Bond's carriage building team. The body was delivered in time for the FR50 weekend in September 2004 and the mast and jib followed soon after. The metal underframe, including specially cast wheels, was required to complete the vehicle and it was hoped that this could be done by a combination of volunteers and Works staff.

upload:Boat2.jpg


The replica body, as delivered by Bill Piper. The benefits of employing a boatbuilder are apparent in the perfect form of the clinker-built prow. (Photo: Jim Hewett).
Unable to organise a volunteer team to undertake the task '''[[FR Heritage Group]]''' secretary '''[[Adrian Gray]]''', who is also one of the trustees of Michael's estate, let a contract for construction of the body and mast to Bill Piper, a boatbuilder working in Porthmadog who had done some casual work with Norman Bond's carriage building team. The body was delivered in time for the FR50 weekend in September 2004 and the mast and jib followed soon after. The metal underframe, including specially cast wheels, was required to complete the vehicle and it was hoped that this could be done by a combination of volunteers and Works staff.


In the Spring of 2005, Norman Bond made the patterns for the tyres of the wheels, they are far larger than anything else the railway uses, and shipped them off to the finisher.
In the Spring of 2005, Norman Bond made the patterns for the tyres of the wheels, they are far larger than anything else the railway uses, and shipped them off to the finisher.
Line 15: Line 23:
John Powell spent many days preparing and painting the body, ready for Glen Williams to apply the lining, after which John gave it some coats of varnish.
John Powell spent many days preparing and painting the body, ready for Glen Williams to apply the lining, after which John gave it some coats of varnish.


Construction of the metal underfame and braking system, working to the drawings prepared by Stuart, was undertaken by Dave High, Rob Collins and Roland Lewis. Rob was building a replica of the ex-WHR Morse speeder known as '''[[Busta]]''' and it was decided that several items, such as hornguides, bearings and axles could be common to the two vehicles. With very little help they made good progress, only to find that a misunderstanding between Norman Bond, the pattern finisher and the foundry might leave them without wheels!
Construction of the metal underfame and braking system, working to the drawings prepared by Stuart, was undertaken by Dave High, Rob Collins and Roland Lewis. Rob was building a replica of the ex-WHR Morse speeder known as [[Busta]] and it was decided that several items, such as hornguides, bearings and axles could be common to the two vehicles. With very little help they made good progress, only to find that a misunderstanding between Norman Bond, the pattern finisher and the foundry might leave them without wheels!


With six weeks to go to the Vintage Weekend the foundry was about to start its two week annual holiday and they hadn't got the patterns. Norman melted the Boston Lodge telephone and the cast steel rims were eventually delivered to Boston Lodge at the end of September. Dave Yates spent several days welding spokes between hubs and rim, a task made more difficult because of the grade of steel used for the casting. Great patience and an expensive supply of special welding rods were required!
With six weeks to go to the Vintage Weekend the foundry was about to start its two week annual holiday and they hadn't got the patterns. Norman melted the Boston Lodge telephone and the cast steel rims were eventually delivered to Boston Lodge at the end of September. Dave Yates spent several days welding spokes between hubs and rim, a task made more difficult because of the grade of steel used for the casting. Great patience and an expensive supply of special welding rods were required!
The job was complete on the Wednesday before the Vintage Weekend and Thursday was spent turning the faces and boring the hubs true.
The job was complete on the Wednesday before the Vintage Weekend and Thursday was spent turning the faces and boring the hubs true.


upload:Wheels.JPG
Early on the Friday morning Rob Collins and ?? took the wheels and axles to the TR's works at Tywyn to be united using their hydraulic wheel press. By the afternoon they had returned to Boston Lodge and fitted the wheels to the underframe. Unfortunately time ran out and it was not possible to fit and adjust the brakes, nor had the specially made sail arrived.


Early on the Friday morning Rob Collins and Andrew ('The Apprentice') Foulds took the wheels and axles to the TR's works at Tywyn to be united using their hydraulic wheel press. By the afternoon they had returned to Boston Lodge and fitted the wheels to the underframe. Unfortunately time ran out and it was not possible to fit and adjust the brakes, nor had the specially made sail arrived.
In the midst of all the mechanical panics Norman Bond, Jon Whalley and Paul Lewin had been working hard to get approval for The Boat from Her Majesty's Railway Inspectors. The Inspectors' incredulity is completely understandable, their refusal to grant permission for sailing The Boat across '''[[Cob | the Cob]]''' was equally understandable, if disappointing. As it was, without fully functional brakes, the matter was academic.


In the midst of all the mechanical panics Norman Bond, Jon Whalley and Paul Lewin had been working hard to get approval for The Boat from Her Majesty's Railway Inspectors. The Inspectors' incredulity is completely understandable, their refusal to grant permission for sailing The Boat across [[Cob | the Cob]] was equally understandable, if disappointing. As it was, without fully functional brakes, the matter was academic.
On Saturday 15th October 2005 FR CME Jon Whalley issued a once only authority for The Boat to make a return journey from '''[[Boston Lodge]]''' to '''[[Harbour Station]]''', propelled by locomotive, hand or gravity. No locos were available, gravity doesn't work across the all but level '''[[Cob]]''' so a small team comprising Rob Collins, Roland Lewis, '''[[Adrian Gray]]''' and Iain Wilkinson assembled to push the Boat across from '''[[Boston Lodge]]''' to '''[[Harbour Station]]'''.

On Saturday 15th October 2005 FR CME Jon Whalley issued a once only authority for The Boat to make a return journey from [[Boston Lodge]] to [[Harbour Station]], propelled by locomotive, hand or gravity. No locos were available, gravity doesn't work across the all but level [[Cob]] so a small team comprising Rob Collins, Roland Lewis, [[Adrian Gray]] and Iain Wilkinson assembled to push the Boat across from [[Boston Lodge]] to [[Harbour Station]].


Adrian had persuaded Samantha Hughes, who had put heart and soul into providing Victorian costumes to enhance the Vintage Weekend, to great effect, that she should have the honour of 'arriving in style' as the Boat's first passenger. She wasn't convinced that he was telling the truth as they took the train from Port to the Lodge but it soon became apparent that the offer was genuine.
Adrian had persuaded Samantha Hughes, who had put heart and soul into providing Victorian costumes to enhance the Vintage Weekend, to great effect, that she should have the honour of 'arriving in style' as the Boat's first passenger. She wasn't convinced that he was telling the truth as they took the train from Port to the Lodge but it soon became apparent that the offer was genuine.


Before The Boat could leave the Lodge we had to first turn it to face the right way, it had been 'launched' with its prow facing to Blaenau, and wait for the Up train, comprising the recently repainted [[Merddin Emrys]] and Victorian train to pass on its way to Minffordd. The opportunity was taken to pose the two stars of the weekend together as Merddin passed Pen Cob.
Before The Boat could leave the Lodge we had to first turn it to face the right way as it had been 'launched' with its prow facing to Blaenau.


upload:Turning.jpg
Picture


Turning picture
As soon as a token could be taken Sam took her seat and Adrian, Iain, Rob and Roland started to push The Boat out across '''[[Cob | the Cob]]'''. It rolls very freely so, in spite of the combination of Victorian costume and the absolutely glorious weather, they didn't even raise a sweat! The several photographers along '''[[Cob | The Cob]]''' greeted the strange 'train' with smiles and raised cameras and, as it reached the Home signal, Iain gave the required 'whistle' with a short blast on his bugle. The train was halted a little before the Porthmadog king points so that Iain could assume his place as driver and then Adrian, Rob and Roland raised the pace, releasing The Boat to run, apparently under sail or gravity, into the siding beside the seawall for the benefit of the many photographers.

We also had to wait for the Up train, comprising the recently repainted [[Merddin Emrys]] and Victorian train to pass on its way to Minffordd. The opportunity was taken to pose the two stars of the weekend together as Merddin passed Pen Cob.

upload:Two%20Heroes.jpg

Two heroes picture

As soon as a token could be taken Sam took her seat and Adrian, Iain, Rob and Roland started to push The Boat out across [[Cob | the Cob]]. It rolls very freely so, in spite of the combination of Victorian costume and the absolutely glorious weather, they didn't even raise a sweat! The several photographers along [[Cob | The Cob]] greeted the strange 'train' with smiles and raised cameras and, as it reached the Home signal, Iain gave the required 'whistle' with a short blast on his bugle. The train was halted a little before the Porthmadog king points so that Iain could assume his place as driver and then Adrian, Rob and Roland raised the pace, releasing The Boat to run, apparently under sail or gravity, into the siding beside the seawall for the benefit of the many photographers.


A prolonged period of photography followed; Sam and Iain must have been committed to several yards of film and several million bytes of digital imagery.
A prolonged period of photography followed; Sam and Iain must have been committed to several yards of film and several million bytes of digital imagery.


upload:Happy%20Couple.jpg
Adrian was photographed - a VERY satisfied customer!


Happy Couple picture.
Escaping the nonsense Rob and Roland slipped off to fetch a parcel which had been delivered to '''[[Harbour Station]]''' minutes before The Boat set off from '''[[Boston Lodge]]'''. This contained the specially ordered sail so, when the fuss had died down they took a few minutes to rig it, in place of the modern item loaned by Andy Foulds for the first run. With the benefit of the stiff breeze a couple of runs of about 25 yards along the siding proved that The Boat really will sail!


Adrian was photographed - a VERY satisfied customer!
We had to be a bit careful about this, out of respect for Her Majestey's Inspector.


upload:Satisfied%20Customer.jpg
(to be completed by ACG)
upload:boat.png


Satisfied Customer picture.
The original vehicle


Escaping the nonsense Rob and Roland slipped off to fetch a parcel which had been delivered to [[Harbour Station]] minutes before The Boat set off from [[Boston Lodge]]. This contained the specially ordered sail so, when the fuss had died down they took a few minutes to rig it, in place of the modern item loaned by Andy Foulds for the first run. With the benefit of the stiff breeze a couple of runs of about 25 yards along the siding proved that The Boat really will sail! We had to be a bit careful about this, out of respect for Her Majesty's Inspector.
upload:Boat2.jpg


For the rest of the weekend The Boat remained at [[Harbour Station]] in the care of Roland Lewis, occasionally being shunted, by hand, from one end fo the station to the other and drawing admiring glances from all who saw it.
The replica body, as delivered by Bill Piper.

The benefits of employing a boatbuilder are apparent in the perfect form of the clinker-built prow.
(to be completed by ACG)
Photo: Jim Hewett


upload:First%20passenger.jpg
upload:First%20passenger.jpg


Sam Hughes in period outfit prior to the first 'passenger carrying' run across the cob
Sam Hughes in period outfit prior to the first 'passenger carrying' run across the cob.


upload:The%20Boat.jpg
upload:The%20Boat.jpg


'''The almost finished replica at Porthmadog Harbour Station, complete with its proper sail''' Picture: Martin Ellis
The almost finished replica at Porthmadog Harbour Station, complete with its proper sail (Picture: Martin Ellis).


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Revision as of 20:00, 13 March 2006

FR Heritage Group Chairman, Michael Seymour, wanted to see a replica of "The Boat", a whimsical gravity inspection vehicle used by the Spooner family in the 19th century. The original came to a sticky end when its owner disobeyed the rules for train staff working and crashed into the single Fairlie, Taliesin, at the north end of the old Moelwyn tunnel in 1889. When Michael died, a few years ago, he left money to the FR Heritage Group to be used to build a replica.

The late David Newham spent many hours researching the details of the project; there were no drawings or photographs to work from, only an engraving and some rather vague, contemporary, descriptions including one from Captain Henry Tyler in his report of his inspection of the line for passenger traffic.

upload:boat.png

The original vehicle.

David's friend Stuart Baker, who had also worked on the HLF project to restore Carriages 15 and 16, the Curly Roof Van and Ashbury projects produced a drawing and from this a project plan was developed.

Unable to organise a volunteer team to undertake the task FR Heritage Group secretary Adrian Gray, who is also one of the trustees of Michael's estate, let a contract for construction of the body and mast to Bill Piper, a boatbuilder working in Porthmadog who had done some casual work with Norman Bond's carriage building team. The body was delivered in time for the FR50 weekend in September 2004 and the mast and jib followed soon after. The metal underframe, including specially cast wheels, was required to complete the vehicle and it was hoped that this could be done by a combination of volunteers and Works staff.

upload:Boat2.jpg

The replica body, as delivered by Bill Piper. The benefits of employing a boatbuilder are apparent in the perfect form of the clinker-built prow. (Photo: Jim Hewett).

In the Spring of 2005, Norman Bond made the patterns for the tyres of the wheels, they are far larger than anything else the railway uses, and shipped them off to the finisher.

At about the same time in early 2005 the idea was conceived that The Boat could be ready in time for that year's Victorian themed Vintage Weekend and would form a unique centrepiece to the event, which traditionally includes the FR Heritage Group Annual General Meeting. As a result the advertising slogan for the weekend became "Pushing The Boat Out".

That put the pressure was on!

John Powell spent many days preparing and painting the body, ready for Glen Williams to apply the lining, after which John gave it some coats of varnish.

Construction of the metal underfame and braking system, working to the drawings prepared by Stuart, was undertaken by Dave High, Rob Collins and Roland Lewis. Rob was building a replica of the ex-WHR Morse speeder known as Busta and it was decided that several items, such as hornguides, bearings and axles could be common to the two vehicles. With very little help they made good progress, only to find that a misunderstanding between Norman Bond, the pattern finisher and the foundry might leave them without wheels!

With six weeks to go to the Vintage Weekend the foundry was about to start its two week annual holiday and they hadn't got the patterns. Norman melted the Boston Lodge telephone and the cast steel rims were eventually delivered to Boston Lodge at the end of September. Dave Yates spent several days welding spokes between hubs and rim, a task made more difficult because of the grade of steel used for the casting. Great patience and an expensive supply of special welding rods were required! The job was complete on the Wednesday before the Vintage Weekend and Thursday was spent turning the faces and boring the hubs true.

upload:Wheels.JPG

Early on the Friday morning Rob Collins and Andrew ('The Apprentice') Foulds took the wheels and axles to the TR's works at Tywyn to be united using their hydraulic wheel press. By the afternoon they had returned to Boston Lodge and fitted the wheels to the underframe. Unfortunately time ran out and it was not possible to fit and adjust the brakes, nor had the specially made sail arrived.

In the midst of all the mechanical panics Norman Bond, Jon Whalley and Paul Lewin had been working hard to get approval for The Boat from Her Majesty's Railway Inspectors. The Inspectors' incredulity is completely understandable, their refusal to grant permission for sailing The Boat across the Cob was equally understandable, if disappointing. As it was, without fully functional brakes, the matter was academic.

On Saturday 15th October 2005 FR CME Jon Whalley issued a once only authority for The Boat to make a return journey from Boston Lodge to Harbour Station, propelled by locomotive, hand or gravity. No locos were available, gravity doesn't work across the all but level Cob so a small team comprising Rob Collins, Roland Lewis, Adrian Gray and Iain Wilkinson assembled to push the Boat across from Boston Lodge to Harbour Station.

Adrian had persuaded Samantha Hughes, who had put heart and soul into providing Victorian costumes to enhance the Vintage Weekend, to great effect, that she should have the honour of 'arriving in style' as the Boat's first passenger. She wasn't convinced that he was telling the truth as they took the train from Port to the Lodge but it soon became apparent that the offer was genuine.

Before The Boat could leave the Lodge we had to first turn it to face the right way as it had been 'launched' with its prow facing to Blaenau.

upload:Turning.jpg

Turning picture

We also had to wait for the Up train, comprising the recently repainted Merddin Emrys and Victorian train to pass on its way to Minffordd. The opportunity was taken to pose the two stars of the weekend together as Merddin passed Pen Cob.

upload:Two%20Heroes.jpg

Two heroes picture

As soon as a token could be taken Sam took her seat and Adrian, Iain, Rob and Roland started to push The Boat out across the Cob. It rolls very freely so, in spite of the combination of Victorian costume and the absolutely glorious weather, they didn't even raise a sweat! The several photographers along The Cob greeted the strange 'train' with smiles and raised cameras and, as it reached the Home signal, Iain gave the required 'whistle' with a short blast on his bugle. The train was halted a little before the Porthmadog king points so that Iain could assume his place as driver and then Adrian, Rob and Roland raised the pace, releasing The Boat to run, apparently under sail or gravity, into the siding beside the seawall for the benefit of the many photographers.

A prolonged period of photography followed; Sam and Iain must have been committed to several yards of film and several million bytes of digital imagery.

upload:Happy%20Couple.jpg

Happy Couple picture.

Adrian was photographed - a VERY satisfied customer!

upload:Satisfied%20Customer.jpg

Satisfied Customer picture.

Escaping the nonsense Rob and Roland slipped off to fetch a parcel which had been delivered to Harbour Station minutes before The Boat set off from Boston Lodge. This contained the specially ordered sail so, when the fuss had died down they took a few minutes to rig it, in place of the modern item loaned by Andy Foulds for the first run. With the benefit of the stiff breeze a couple of runs of about 25 yards along the siding proved that The Boat really will sail! We had to be a bit careful about this, out of respect for Her Majesty's Inspector.

For the rest of the weekend The Boat remained at Harbour Station in the care of Roland Lewis, occasionally being shunted, by hand, from one end fo the station to the other and drawing admiring glances from all who saw it.

(to be completed by ACG)

upload:First%20passenger.jpg

Sam Hughes in period outfit prior to the first 'passenger carrying' run across the cob.

upload:The%20Boat.jpg

The almost finished replica at Porthmadog Harbour Station, complete with its proper sail (Picture: Martin Ellis).

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